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Book Details

Red Seas Under Red Skies

71.4% complete
2007
2014
1 time
See 26
Prologue
I - Cards in the Hand
1 - Little Games
Reminiscence - The Capa of Vel Virazzo
2 - Requin
Reminiscence - Best-Laid Plans
3 - Warm Hospitality
Reminiscence - The Lady Of The Glass Pylon
4 - Blind Alliances
Reminiscence - The Amusement War
5 - On A Clockwork River
Reminiscence - By Their Own Rope
6 - Balance Of Trades
7 - Casting Loose
II - Cards Up The Sleeve
8 - Summer's End
9 - The Poison Orchid
10 - All Souls In Peril
11 - All Else, Truth
12 - Port Prodigal
13 - Points Of Decision
III - Cards On The Table
14 - Scourging The Sea Of Brass
15 - Between Brethren
16 - Settling Accounts
Epilogue
Book Cover
Has a genre Has an extract Has a year read Has a rating In my library In a series 
1591
 Gentleman Bastards Series*
#2 of 4
Gentleman Bastards Series*   See series as if on a bookshelf
A series of fantasy novels written by Scott Lynch.

1) The Lies of Locke Lamora
2) Red Seas Under Red Skies
3) The Republic of Thieves
4) The Thorn of Emberlain
Copyright © 2007 by Scott Lynch
For Matthew Woodring Stover,
a friendly sail on the horizon.

Non destiti, nunquam desistam.
Locke Lamora stood on the pier in Tal Verrar with the hot wind of a burning ship at his back and the cold bite of a loaded crossbow’s bolt at his neck.
May contain spoilers
“Somewhere new.”
No comments on file
Synopsis not on file
Extract (may contain spoilers)
Locke and Jean turned left at the intersection, then approached the door of the first disused shop on their right. While Jean kept a watch on the street behind them, Locke stepped up to the door and rapped sharply, three times. It opened immediately, and a stout young man in a brown leather coat beckoned them in.

“Stay away from the window,” he said once he’d closed and bolted the door behind them. The window was covered with tightly drawn sailcloth curtains, but Locke agreed that there was no need to tempt fate. The only light in the room came from the sunrise, filtered soft pink through the curtains, enabling Locke to see two pairs of men waiting at the rear of the shop. Each pair consisted of one heavy, broad-shouldered man and one smaller man, and all four of the strangers were wearing identical gray cloaks and broad-brimmed gray hats.

“Get dressed,” said the man in the leather coat, pointing to a pile of clothing on a small table. Locke and Jean were soon outfitted in their own matching gray cloaks and hats.

“New summer fashion for Tal Verrar?” said Locke.

“A little game for anyone trying to follow you,” said the man. He snapped his fingers, and one set of gray-clad strangers moved to stand right behind the door. “I’ll go out first. You stand behind these two, follow them out, then enter the third carriage. Understood?”

“What carri—” Locke started to say, but he cut himself off as he heard the clatter of hooves and wheels in the street immediately outside. Shadows passed before the window, and after a few seconds the man in the brown coat unbolted the door. “Third carriage. Move fast,” he said without turning around, and then he threw the door open and was out into the street.

At the curb just outside the disused shop three identical carriages were lined up. Each was black lacquered wood with no identifying crests or banners, each had heavy drapes drawn over its windows, and each was pulled by two black horses. Even their drivers all looked vaguely similar, and wore the same reddish uniforms under leather overcoats.

The first pair of gray strangers stepped out the door and hurried to the first carriage in line. Locke and Jean left the disused shop a second later, hurrying to the rear carriage. Locke caught a glimpse of the last team of gray strangers all but running to the door of the middle carriage behind them. Jean worked the latch on the rear carriage’s door, held it open for Locke, and flung himself inside afterward.

“Welcome aboard, gentlemen.” Merrain lounged in the right forward corner of the compartment, her waitress’ clothing discarded. She was now dressed as though for a ride in an open saddle, in field boots, black breeches, a red silk shirt, and a leather vest. Locke and Jean settled beside one another in the seat across from her. Jean’s slamming of the door threw them into semidarkness, and the carriage lurched into motion.

“Where the hell are we going?” Locke began to shrug off his gray cloak as he spoke.

 

Added: 31-Jan-2015
Last Updated: 21-Nov-2019

Quotes

As for history, we are living in its ruins.  And as for biographies, we are living with the consequences of all the decisions ever made in them.  I tend not to read them for pleasure.  It's not unlike carefully scrutinizing the map when one has already reached the destination.

Publications

 31-Jul-2007
Random House
Kindle e-Book
In my libraryI read this editionOrder from amazon.comHas a cover imageBook Edition Cover
Date Issued:
31-Jul-2007
Format:
Kindle e-Book
Cover Price:
$6.99
Pages*:
578
Read:
Once
Cover Link(s):
Internal ID:
1870
Publisher:
ISBN:
Unknown
ISBN-13:
978-0-553-90358-4
Country:
United States
Language:
English
Credits:
From amazon.com:

In his highly acclaimed debut, The Lies of Locke Lamora, Scott Lynch took us on an adrenaline-fueled adventure with a band of daring thieves led by con artist extraordinaire Locke Lamora. Now Lynch brings back his outrageous hero for a caper so death-defying, nothing short of a miracle will pull it off.

After a brutal battle with the underworld that nearly destroyed him, Locke and his trusted sidekick, Jean, fled the island city of their birth and landed on the exotic shores of Tal Verrar to nurse their wounds. But even at this westernmost edge of civilization, they can’t rest for long—and are soon back to what they do best: stealing from the undeserving rich and pocketing the proceeds for themselves.

This time, however, they have targeted the grandest prize of all: the Sinspire, the most exclusive and heavily guarded gambling house in the world. Its nine floors attract the wealthiest clientele—and to rise to the top, one must impress with good credit, amusing behavior…and excruciatingly impeccable play. For there is one cardinal rule, enforced by Requin, the house’s cold-blooded master: it is death to cheat at any game at the Sinspire.

Brazenly undeterred, Locke and Jean have orchestrated an elaborate plan to lie, trick, and swindle their way up the nine floors…straight to Requin’s teeming vault. Under the cloak of false identities, they meticulously make their climb—until they are closer to the spoils than ever.

But someone in Tal Verrar has uncovered the duo’s secret. Someone from their past who has every intention of making the impudent criminals pay for their sins. Now it will take every ounce of cunning to save their mercenary souls. And even that may not be enough.…

Praise for Red Seas Under Red Skies

“Lynch hasn’t merely imagined a far-off world, he’s created it, put it all down on paper—the smells, the sounds, the people, the feel of the place. The novel is a virtuoso performance, and sf/fantasy fans will gobble it up.” Booklist (starred review)

“Red Seas Under Red Skies firmly proves that Scott Lynch isn’t a one-hit wonder. . . . It’ll only be a matter of time before Scott Lynch is mentioned in the same breath as George R. R. Martin and Steven Erikson.” Fantasy Book Critic

“Grand, grandiose, grandiloquent . . . No critic is likely to fault Lynch in his overflowing qualities of inventiveness, audacious draftsmanship, and sympathetic characterization.” Locus
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Book Cover
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  • I try to maintain page numbers for audiobooks even though obviously there aren't any. I do this to keep track of pages read and I try to use the Kindle version page numbers for this.
  • Synopses marked with an asterisk (*) were generated by an AI. There aren't a lot since this is an iffy way to do it - AI seems to make stuff up.
  • When specific publication dates are unknown (ie prefixed with a "Cir"), I try to get the publication date that is closest to the specific printing that I can.
  • When listing chapters, I only list chapters relevant to the story. I will usually leave off Author Notes, Indices, Acknowledgements, etc unless they are relevant to the story or the book is non-fiction.
  • Page numbers on this site are for the end of the main story. I normally do not include appendices, extra material, and other miscellaneous stuff at the end of the book in the page count.






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